Gilbert

Vocal Score of The Mikado / The Town of Titipu

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An important one written in Heligenstadt replaced the usual Minuet in the third movement with a Scherzo. The poems of Tom Moore and of Ossian, in little pocket volumes, were constant companions of his toil, and made all labor seem light. His arrangements, transcriptions and originals have since become highly demanded and frequently performed at the University and throughout the greater Twin Cities area. His Irish Symphony of 1866 won similarly enthusiastic praise: The symphony...is not only by far the most noticeable composition that has proceeded from Mr.

DOWN YONDER with Freddy Martin on cover (Sheet Music)

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He also wrote the finest single work of sacred music in history, the Mass in b minor, which has been argued by many musicologsts and composers to be the single greatest work of music of all time, in any genre, in any style. A series of extended, often-episodic compositions, the album documents his “Solo Electro-Acoustic Adventures,” from the tempestuous opening track, “Meteorology,” and the tender “Kathryn’s Song,” to the playful and funk-laden closing suite, Monk-y Business Revisited, which explores the full orchestral palette at Zeitlin’s fingertips.

STORY OF SAVOY OPERA, (Da Capo Press Music Reprint series)

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His publications have been performed and recorded by groups worldwide, and his conducting experience ranges from brass ensembles and vocal choirs to symphony orchestras. His songs contain the essence of NY in the 1920s and have deservedly become classics of their kind, part of the 20th-cent. folk-song tradition in the sense that they are popular mus. which has been spread by oral tradition (for many must have sung a Gershwin song without having any idea who wrote it).

Guitar Soloing: The Contemporary Guide to Improvisation (CD

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He has been a part of that orchestra since 1983. By 1789 he had become principal organist of the Cathedral, a post he held until his death in 1808. Opera was a social occasion where you could meet people and talk, even during the music. But were it possible to promulgate and enforce a scale of the tones in which each speech of Hamlet or any other character should be delivered, or to issue a tariff of the emphasis to which each striking passage should be subjected, it is evident we should destroy one great source of the pleasure we receive from the stage--- namely, that of comparing and deciding between the different species of efforts which rivals in the scenic art bring to illustrate the same character.

The "Bab" ballads; much sound and little sense

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regarded by many as the first Romantic composer, famous for his nine symphonies, thirty-two piano sonatas, sixteen string quartets composer who experimented with irregular time signatures; works for wind quintet composer, violinist and virtuoso pianist, known for his contribution to the piano repretoire. opera composer (Il crociato in Egitto, Les Huguenots) composer, little known in his lifetime, but his four symphonies are better known today composer, regarded as the first significant Lieder writer, also known for his chamber music, piano works and symphonies Vincenzo Bellini (1801–1835), Italian opera composer, known for I Puritani, Norma and La sonnambula among others Hector Berlioz (1803–1869), French composer famous for his programmatic symphony, the Symphonie Fantastique Mikhail Glinka (1804–1857), nationalist Russian composer, wrote operas such as A Life for the Tsar Felix Mendelssohn (1809–1847), German composer known for his Violin Concerto and the Wedding March from A Midsummer Night's Dream, also wrote five symphonies including the "Italian" Symphony Frédéric Chopin (1810–1849), Polish composer and virtuoso pianist, his output includes nocturnes, ballades, scherzos, etudes, and a number of Polish dances such as mazurkas, polonaises, and waltzes (including the Minute Waltz) Robert Schumann (1810–1856), German composer, a significant lieder writer, wrote many short piano pieces and four symphonies Franz Liszt (1811–1886), Hungarian composer and a virtuoso pianist, wrote a number of tone poems and extended piano technique, famous for his Hungarian Rhapsodies Ambroise Thomas (1811–1896), French composer, best known for the operas Mignon and Hamlet Louis Antoine Jullien (1812-1860), French eccentric conductor and composer of light music, king of promenade concerts in England Friedrich von Flotow (1812–1883) a German composer, chiefly remembered for his opera Martha Alexandre Dubuque (1812-1898), Russian-resident French composer, known for teaching Giuseppe Verdi (1813–1901), major Italian opera composer, best known for Nabucco, Rigoletto, La Traviata and Aida Richard Wagner (1813–1883), major German opera composer (Der Ring des Nibelungen, Lohengrin, Tristan und Isolde, Parsifal among others) William Sterndale Bennett (1816-1875), English composer, conductor, and editor Károly Thern (1817-1886), Hungarian composer, conductor and teacher Niels Gade (1817–1890), Danish composer, violinist, and organist Charles Gounod (1818–1893), French composer, best known for his operas Faust and Roméo et Juliette Jacques Offenbach (1819–1880), French opera and operetta composer, known for The Tales of Hoffmann and Orpheus in the Underworld Clara Schumann (1819–1896), German composer, wife of Robert Schumann, and one of the leading pianists of the Romantic era Joachim Raff (1822-1882), Swiss-born German composer, best known for eleven symphonies, most of them program music César Franck (1822–1890), Belgian-born French composer, noted for his Symphony, also a significant composer for the organ Anton Bruckner (1824–1896), Austrian composer of nine large-scale symphonies (one incomplete and two more unacknowledged, the third dedicated to Richard Wagner) Bedřich Smetana (1824–1884), Czech nationalist composer, perhaps best known for his cycle of symphonic poems, Má vlast and his opera The Bartered Bride Jean-Baptiste Arban (1825-1889) Virtuoso cornetist, wrote the "Grande méthode complète pour cornet à pistons et de saxhorn" now referred to as the "Trumpeter's Bible."

Pirates of Pienzance Voc Score (Gilbert & Sullivan vocal

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Read more at wsj.com When Debussy began writing his new music, he carved a whole new genre out of whole cloth. Our author has enumerated four properties which Nature has taught trees that stand unsheltered to acquire by their own efforts, in order to suit themselves for their situation. John MacFarren "Her Bright Smile" - 1880, arranged by E. The Presto finale of one piece by this composer consists entirely of triplets played in octaves, except for its last bar.

VOCAL SCORE OF THE YEOMEN OF THE GUARD

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The group, it must be observed, is of Scottish character, and doubtless our northern brethren are mere familiar with its varieties than we are; yet the distinctions are to well marked to escape even the Southron. We have to add, that Sir Henry's own territory lies considerably exposed to those storms from the North, which are the heaviest and most prevailing gales of the Scottish climate. Two songs, “With One Look” and “As if We Never Said Goodbye,” both of which are sung by the lead character Norma Desmond, have entered the repertories of singers as diverse as Kiri TeKenawa and Barbra Streisand.

The Little Book of Music for the Classroom: Using Music to

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A staccato-filled D major passage forms the trio of its third movement scherzo, marked "Allegro Molto," and a frenzied Prestissimo buildup closes out this piece's final movement, a Presto tarantella in 6/8 time. Sir, my respected ancestor, Sir Mungo, when he had the distinguished honour to be whipping, or rather, whipped boy, to his Majesty James the Sixth of gracious memory, was always, in virtue of his office, scourged when the King deserved flogging; and the same equitable rule seems to distinguish the conduct of Government towards Scotland, as one of the three United Kingdoms.

Ruddigore: (Vocal Score) (Faber Edition) by William S.

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Wallace, with his wife and infant son, his sister Elisabeth, a soprano, and his brother Wellington, a flautist, emigrated in 1835 to Australia and gave family concerts. Now, on the side of Scotland, this was like Trinculo losing his bottle in the pool---there was not only dishonour in the thing, but an infinite loss. His brother Teddy, a musical comedy star, was his sole survivor. Not all was harsh: an etherealized tenderness, an almost desperate romanticism typical of the 1930s suffused “Have You Met Miss Jones?” and the title song from “I’d Rather Be Right,” “The Most Beautiful Girl in the World” and “My Romance” (both from “Jumbo”), “Where or When” (“Babes in Arms,” 1937), the title song from “I Married an Angel,” and “Falling in Love with Love” (“The Boys from Syracuse,” 1938). “Syracuse,” based on “A Comedy of Errors,” was the pioneer adaptation of Shakespeare for musical comedy.

AT THE YIDDISH CABARET SHEET MUSIC

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My own approach has been to organically compose a work that comes from my personal language, which, then, has to have been heavily influenced already by the genres present. Scene one is set at the Shrovetide Fair, where a showman plays a flute to three characters. His legacy, aside from writing the Savoy Operas and other works that are still being performed over a hundred and twenty-five years after their creation, is felt perhaps most strongly today through his influence on the American and British musical theatre.